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Classics

Eighteen enduring novels — the great English classics, the gothic thrillers and the world masterpieces, chosen for pleasure not duty.

A classic is simply a book that keeps being worth reading. Eighteen now, in three walks: the great English novels, the gothic and sensation classics that read like thrillers, and the world masterpieces every reader gets to eventually. Nothing here is homework; it's all just very good.

Editor's Picks

  1. Persuasion — Austen's autumnal best
  2. Tess of the d'Urbervilles — Hardy's heartbreaker
  3. Vanity Fair — the sharpest social satire

The Great English Novels

Austen to Eliot — the canon at its most purely enjoyable.

Pride and Prejudice cover01
4.6

Pride and Prejudice

Jane Austen
Regency · Romance

Wit, pride, misjudgement and one of literature's great courtships. Austen's sharpest, most joyful comedy of manners — funnier and more modern than its reputation lets on.

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Great Expectations cover02
4.5

Great Expectations

Charles Dickens
Victorian · Coming-of-Age

Pip, a convict, a jilted bride and a fortune from nowhere. Dickens at his richest — funny, dark and unputdownable, and the best door into the rest of him.

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Middlemarch cover03
4.5

Middlemarch

George Eliot
Victorian · Provincial

Eliot's vast, wise novel of provincial lives, thwarted hopes and ordinary goodness. Widely called the finest novel in English — daunting in size, endlessly rewarding in fact.

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Persuasion cover04
4.6

Persuasion

Jane Austen
Regency · Second Chances

Anne Elliot gets a second chance at the love she was persuaded to refuse. Austen's autumnal masterpiece — quieter than Pride and Prejudice, and many readers' favourite.

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Tess of the d'Urbervilles cover05
4.4

Tess of the d'Urbervilles

Thomas Hardy
Wessex · Tragic

A poor girl, a fatal name and the cruelty of respectable England. Hardy's heartbreaker — beautiful, furious and unforgettable.

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Vanity Fair cover06
4.3

Vanity Fair

W.M. Thackeray
Satire · Becky Sharp

Becky Sharp claws her way up through Regency society without a single scruple. The sharpest social satire in English — and its most entertaining anti-heroine.

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Gothic & Sensation

The classics that read like thrillers — dread, secrets and stormy moors.

Jane Eyre cover07
4.6

Jane Eyre

Charlotte Brontë
Gothic · Romance

A poor, plain, fiercely independent governess and the secret in the attic. A Gothic romance with a heroine well ahead of her time — passionate, moral and gripping still.

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Wuthering Heights cover08
4.4

Wuthering Heights

Emily Brontë
Gothic · Yorkshire

Love and revenge on the wild Yorkshire moors, told by one strange, stormy imagination. Not a comfortable book — but a wholly unforgettable one.

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Rebecca cover09
4.6

Rebecca

Daphne du Maurier
Gothic · Suspense

"Last night I dreamt I went to Manderley again." A new bride, a dead first wife and a house full of dread. The most deliciously suspenseful of modern classics.

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Dracula cover10
4.5

Dracula

Bram Stoker
Gothic · Vampire

Letters, diaries and ships' logs assemble the original vampire novel. Far stranger and more gripping than a century of imitations suggests.

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Frankenstein cover11
4.4

Frankenstein

Mary Shelley
Gothic · First SF

A young scientist makes a creature and refuses to love it. Written at nineteen, inventing science fiction on the way — and the creature still breaks your heart.

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The Picture of Dorian Gray cover12
4.5

The Picture of Dorian Gray

Oscar Wilde
Decadent · Wit

A beautiful young man keeps his sins in the attic. Wilde's only novel — epigrams, dread and the best-dressed damnation in literature.

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World Classics

The masterpieces beyond Britain — translated, transporting, essential.

Anna Karenina cover13
4.5

Anna Karenina

Leo Tolstoy
Russia · Everything

A married woman falls catastrophically in love in imperial Russia. Routinely voted the greatest novel ever written — and, page for page, the most alive.

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Crime and Punishment cover14
4.6

Crime and Punishment

Fyodor Dostoevsky
Russia · Guilt

A student commits the perfect murder and discovers there's no such thing. The great psychological novel — feverish, gripping and strangely funny.

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One Hundred Years of Solitude cover15
4.4

One Hundred Years of Solitude

Gabriel García Márquez
Macondo · Magic

Seven generations of the Buendía family in a town where it rains flowers. The masterpiece of magical realism — dazzling, dreamlike, unrepeatable.

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The Great Gatsby cover16
4.4

The Great Gatsby

F. Scott Fitzgerald
Jazz Age · Perfect

Gatsby, Daisy and the green light across the bay. The great American novel at a slim, perfect 180 pages — everyone's second favourite book for a reason.

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To Kill a Mockingbird cover17
4.7

To Kill a Mockingbird

Harper Lee
Alabama · Conscience

Scout, Atticus and a trial that divides a town. The twentieth century's conscience in novel form — and still a perfect first classic.

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The Count of Monte Cristo cover18
4.7

The Count of Monte Cristo

Alexandre Dumas
Revenge · Adventure

Wrongly imprisoned, impossibly enriched, magnificently avenged. The greatest revenge story ever told — a thousand pages that read like two hundred.

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Frequently Asked Questions

Which classic should I read first?

Pride and Prejudice is the most purely enjoyable; Rebecca reads like a modern thriller; The Great Gatsby takes one evening. Start where the appetite is.

Are the Russians as hard as they look?

Longer, not harder — Anna Karenina is gossip of the highest order and Crime and Punishment is a psychological thriller. Get a modern translation and dive in.

What edition should I buy?

Any readable one to start. For keepers and gifts, Penguin Clothbound and Vintage Classics pair good introductions with covers worth shelf space.

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